Xerxes

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Ask us anything

cameroncousins:

One month from today! (at Please & Thank You)

QUESTION TIME

I’ve got a six pack of Stone IPA, I’m helping my older brother organize his records for an upcoming DJ night, and the snowpocalypse just came to Kentucky so lets talk about Xerxes. All questions I can’t answer personally will be forwarded to other members via text. The switch on the hype machine is flipped to the “on” position.

thelastofourkindzine:

“But the truth is, part of growing up as an artist or even just a human being is recognizing the difference between someone saying something mean just to hurt you or someone saying something you need to hear without sugarcoating it and coddling you like a child.
Its not like I step up to the microphone with my critics in mind now, but I do take their criticisms as what they are: One person’s (hopefully) educated opinion. Its a different perspective. Its an offering of what could improve. So when you take it like that, keeping in mind not to take anything personally or with hypersensitivity, it’s possible to use that to your advantage.”
- Calvin Philley of Xerxes in Issue Three of The Last of Our Kind Zine.
Photo by Alexandra Bandow.

thelastofourkindzine:

The Last of Our Kind Zine: Issue Three is now online.
At 55 pages, this digital only issue is our biggest yet. This time we caught up with Daylight, Xerxes, To The North, Hobbledehoy Records, Have/Hold, and One Hundred Year Ocean.We also have some writings from Hugo Costin and Daniel Smith, as well as photography by Robert Cameron.
Click here to read it now. We recommend going full screen for this one.

in which i reveal my deepest darkest secrets.

con-con-con:

ryantassi:

new Baja Collective montage. Shot by Connor Clark and myself.

Worked hard on this one give it a view.

the broken boys

(via connsect)